|
Year
|
Age
|
Events & Works
|
| 1905 |
|
Born
Alissa Zinovievna Rosenbaum on February 2 in St. Petersburg, Russia, to
Zinovy Zacharovich Rosenbaum ("Fronz") and Anna Borisovna Rosenbaum.
Alissa is the oldest of three sisters, Natasha and Nora. |
| 1913 |
8 |
Begins to invent own stories and movie scenarios
|
| 1914 |
9 |
Family makes summer trip to Austria, Switzerland, and England. Reads The Mysterious Valley
by Maurice Champagne and falls in love with its hero, Cyrus, who
becomes prototype for her own later fictional heroes (the name Kira,
heroine of her novel We The Living, is the feminine of Cyrus). Decides to become a writer. |
| 1915 |
10 |
First efforts to write novels.
|
| 1917 |
12 |
Summer in Finland. Witnesses first shots of the Bolshevik revolution in St. Petersburg. |
| 1918 |
13 |
Falls in love with the work of Victor Hugo; under political pressure, family abandons Petrograd for the Crimea. |
| 1921 |
16 |
Graduates
from gymnasium. The Crimea falls to the Bolsheviks, and Alissa burns
her diary, which is filled with anticommunist ideas. Returns with
family to Petrograd and enters the University of Petrograd, majoring in
history, with a minor in philosophy. |
| 1921/ 22 |
17 |
Studies philosophy under N. O. Losky. Initial attraction to Nietzsche’s work.
|
| 1924 |
19 |
Graduates
from newly renamed University of Leningrad with highest honors. Takes
job as museum guide, and enrolls in State Institute for Cinema Arts. |
| 1925 |
20 |
Pola Negri,
her biographical sketch of a silent-era actress, is published in Moscow
and Leningrad. Studies English and travels to Latvia for U. S. visa. |
| 1926 |
21 |
Leaves
USSR January 26; arrives in Berlin for 21st birthday; leaves France by
ship February 10, arriving in New York on February 18. Lives with
Chicago relatives for six months, and adopts pen name of Ayn Rand.
Writes her first short story in English, "The Husband I Bought." In
September moves to Hollywood. Meets Cecil B. DeMille, who gives her job
as extra in King of Kings. Meets actor Frank O’Connor on the set. Works as script reader. Her tribute, Hollywood: American City of Movies is published in Russia without her knowledge. |
| 1927? |
22 |
Writes short story "Good Copy." |
| 1929 |
24 |
Marries Frank O’Connor on April 15. Works in RKO wardrobe department; plots We The Living in her spare time. Writes short stories "Escort" and "Her Second Career." |
| 1931 |
26 |
Becomes naturalized U. S. citizen on March 13
|
| 1932 |
27 |
Becomes head of RKO wardrobe office. Screenplay Red Pawn sold to Universal, later purchased by Paramount. Finishes play, Penthouse Legend (later retitled Night of January 16th) |
| 1933 |
28 |
Completes We The Living; sells Penthouse Legend to MGM.
|
| 1934 |
29 |
Writes novelette Ideal, later turned into a play. Penthouse Legend produced as Woman on Trial at the Hollywood Playhouse, then sold to Broadway producer. In November moves with Frank O’Connor to New York City; when Penthouse Legend production is delayed, takes work as script reader. Begins planning The Fountainhead. |
| 1935 |
30 |
Sells We The Living to Macmillan. Night of January 16th opens for successful six-month run on Broadway. |
| 1936 |
31 |
We The Living published in U. S. and England a month after closing of Night of January 16th. |
| 1937 |
32 |
Writes Anthem but is unable to find a U. S. publisher. Works in office of architect Ely Jacques Kahn in order to research The Fountainhead. |
| 1938 |
33 |
Anthem published in England. On June 26 begins writing The Fountainhead. |
| 1939 |
34 |
Writes play Think Twice. Adapts We The Living as play, The Unconquered. |
| 1940 |
35 |
The Unconquered
produced on Broadway by George Abbott, has five-day run in February.
Campaigns for Wendell Willkie and meets major conservative thinkers of
the day. |
| 1941 |
36 |
After rejection by a dozen publishers, signs contract with Bobbs-Merrill to publish The Fountainhead, not yet completed. Deadline for completed manuscript is January 1, 1943. |
| 1942 |
37 |
Delivers completed manuscript of The Fountainhead on December 31. |
| 1943 |
38 |
The Fountainhead
published on May 6. Sells movie rights to Warner Brothers and moves
back to Los Angeles area with Frank O’Connor to write screenplay
adaptation. First ideas for plot of Atlas Shrugged. |
| 1944 |
39 |
"The Only Path to Tomorrow" published in January Reader’s Digest. Becomes contract screenwriter for Hal Wallis. Writes screenplay for film Love Letters. Buys home in Chatsworth, CA designed by Richard Neutra.
|
| 1945 |
40 |
Anthem finally published for first time in the U. S. by Pamphleteers, Inc.
|
| 1946 |
41 |
Begins writing The Strike, working title of Atlas Shrugged, on September 2. "Textbook of Americanism" in Vigil. |
| 1947 |
42 |
Testifies
before House Committee on Un-American Activities about communist
penetration of film industry. Writes "Screen Guide for Americans" in
November Plain Talk. Visits Colorado to do research for The Strike. |
| 1948 |
43 |
Writes final screenplay for film version of The Fountainhead; production begins.
|
| 1949 |
44 |
The Fountainhead film, starring Gary Cooper and Patricia Neal, is released. Letter to New York Times published July 24. |
| 1950 |
45 |
Meets
fans Nathan Blumenthal (later Nathaniel Branden) and Barbara Weidman
(later Barbara Branden), who become close friends and philosophical
allies. |
| 1951 |
46 |
Moves permanently back to New York City in October to work full-time on The Strike. |
| 1957 |
52 |
Finishes Atlas Shrugged in March. Published October 10 by Random House.
|
| 1958 |
53 |
Gives private lectures on fiction writing (published posthumously as The Art of Fiction.)
Helps Nathaniel Branden prepare a course, "The Basic Principles of
Objectivism," for newly formed Nathaniel Branden Lectures (soon the
Nathaniel Branden Institute). |
| 1960 |
55 |
Gives first of many university talks, at Yale. "JFK – High Class Beatnik?" in Human Events (September). |
| 1961 |
56 |
For the New Intellectual published. Who Is Ayn Rand? by the Brandens published. First annual lecture at Boston’s Ford Hall Forum. |
| 1962 |
57 |
Begins to publish The Objectivist Newsletter with Nathaniel Branden. |
| 1963 |
58 |
Receives honorary doctor of humane letters from Lewis and Clark College. "The Money-Making Personality" in April Cosmopolitan. |
| 1964 |
59 |
Playboy interview in March. The Virtue of Selfishness published. "Let Us Alone!" in Yale Political Magazine, summer issue. |
| 1966 |
61 |
The Objectivist (which replaces The Objectivist Newsletter) serializes "Introduction to Objectivist Epistemology." Capitalism: The Unknown Ideal published. |
| 1968 |
63 |
Nathaniel Branden Institute closes; Rand breaks with the Brandens, assumes sole editorship of The Objectivist. Night of January 16th published. |
| 1970 |
65 |
The Romantic Manifesto published. "The New Left Represents an Intellectual Vacuum" in May 17 New York Times Magazine. |
| 1971 |
66 |
The New Left: The Anti-Industrial Revolution published. The Objectivist is replaced by The Ayn Rand Letter. "Why I Like Stamp Collecting" in Minkus Stamp Journal. |
| 1972 |
67 |
"Do Our Tax Laws Need a Shake-Up?" in November Saturday Review of the Society. |
| 1974 |
69 |
Lectures to West Point graduating class on "Philosophy: Who Needs It?" |
| 1976 |
71 |
Last issue of The Ayn Rand Letter in January-February. Letter to New York Times August 11. |
| 1977 |
72 |
Luncheon in her honor hosted by Boston’s Ford Hall Forum.
|
| 1979 |
74 |
Introduction to Objectivist Epistemology published. Frank O’Connor dies.
|
| 1981 |
76 |
Last
public address, "The Sanction of the Victims," before annual conference
of National Committee for Monetary Reform in New Orleans, in November. |
| 1982 |
77 |
Begins screenplay for planned TV miniseries of Atlas Shrugged. Dies at home on March 6. Philosophy: Who Needs It? published posthumously.
|
| 1986 |
|
The Early Ayn Rand published posthumously.
|
| 1989 |
|
The Voice of Reason published posthumously.
|
| 1991 |
|
The Ayn Rand Column published posthumously.
|
| 1995 |
|
The Letters of Ayn Rand published posthumously.
|
| 1997 |
|
Journals of Ayn Rand published posthumously.
|
| 1999 |
|
Russian Writings on Hollywood published posthumously. |